By Matt Christine November 14, 2025
Trivium is back on the road in 2025 — and this time, they’ve brought Jinjer along for a blistering run across the U.S. on the “Ascend Above The Ashes Tour.” Over the last four years, the rock and metal world has seen a wild expansion of dream-team co-headlining and powerful support on tours, the kind fans never thought they’d see outside of wish lists. Rising metal powerhouse Jinjer has been in the international spotlight ever since they were forced to exit Slipknot’s 2022 tour to return home and support Ukraine’s war efforts. In the years since, they’ve become global ambassadors for both their country and the metal community. And even as the supporting act on this tour, the band was greeted by a massive turnout and a stage setup that matched their well-earned status in the scene. Their addition on this tour with Trivium was a match made in heaven (or hell) and a perfect compliment sonically. The band's 9 song setlist got the mosh pit moving and crowd surfers flowing ahead of the main event that evening. It may have been a Wednesday night , but you wouldn’t have known it based on the crowd’s energy leading up to Trivium’s 9:50 p.m. arrival. Pennsylvania showed once again why it has a reputation as one of the weirdest and yet strongest markets in the country for rock and metal. When the band’s massive stage slowly illuminated to reveal a dramatic backdrop, Trivium launched into their set with explosive force as strobes burst to blinding effects all around them. Trivium's 14 song set was a blistering pace of their greatest hits and new material that left little time for the band to chat with the crowd as they moved quickly from song to song. Frontman Matt Heafy nearly blended into the elaborate backdrop thanks to a jacket patterned almost identically, but he was impossible to miss as he tore across the stage from mic to mic, shredding through one technical assault after another. Much like Jinjer’s opening performance, Trivium delivered a razor-sharp, 80-minute set that pulled from across their expansive catalog. From the first crushing riff to the final crack of the snare, they gave Lancaster everything they had — and the packed pit gave it right back. Opening nights can often feel unpredictable, but Lancaster showed up ready, proving once again that this city doesn’t just attend shows — it sets the bar. If the rest of the “Ascend Above Ashes Tour” follows this lead, Trivium and Jinjer are in for one unforgettable run.
By Matt Christine November 12, 2025
Taylor Acorn’s return to Pennsylvania to the Arrow at the Archer Music Hall in Allentown was a homecoming a long time coming after a massive year of touring and festival appearances. Just a few weeks after performing at the When We Were Young Festival in Las Vegas - and fresh off wrapping The Summer School Tour - Taylor Acorn returned to Pennsylvania with clear momentum behind her. Touring in support of her newly released LP, she arrived at The Arrow at the Archer in Allentown with a setlist shaped around this new chapter of her sound. The fresh material wasn’t just sprinkled into the night; it was the thread that held the entire show together. And while Acorn hasn’t forgotten her roots in the pop-punk world, it’s obvious that these newer songs give her a wider lane to move in and let her shine bright onstage. The Arrow itself proved to be an ideal setting. The room was full but comfortable, with that sweet spot where you can feel the crowd’s energy without fighting for space. Warm lighting and a clear sightline from almost anywhere in the venue helped create a sense of connection the moment Acorn stepped out. It didn’t take long for the entire place to settle into a rhythm—heads nodding, hands in the air, and plenty of voices shouting back the lines they knew. Between songs, Acorn kept the energy light and the banter genuine. She shared quick stories, poked fun at herself, and made it clear she appreciated being back in her home state. Nothing dragged, nothing felt overly rehearsed—it all stayed grounded in the good-natured vibe that filled the room. By the end of the night, The Arrow at the Archer felt less like a tour stop and more like a celebration of where Acorn is right now: an artist still rooted in the scene that raised her, but growing fast and sounding sharper than ever. The crowd felt it, the room carried it, and Acorn made sure everyone left buzzing. A strong show, a great space, and the kind of night that makes you want to catch her again before the tour moves on.
By Matt Christine September 19, 2025
On September 16, 2025, Icelandic rockers KALEO brought their Mixed Emotions Tour to Allentown’s Archer Music Hall, with Quarters of Change and Júníus Meyvant on the bill.
By Matt Christine September 16, 2025
Stone Temple Pilots’ return to Pennsylvania for RockFest was more than just another stop on tour as the band isn't on the road promoting a new album or anything particular at the moment making this one off show truly special. Their festival headline slot was a true celebration of a band that has not only endured but continues to thrive. After more than twenty years of music, their headline performance in Grantville showed that Stone Temple Pilots are still writing their best chapters. When Jeff Gutt first stepped in as lead singer, fans were curious about how he would fill the shoes of such an iconic role of those who came before him. A few years and countless shows later, there’s no longer any question. Gutt has evolved into the frontman the band always seemed to be waiting for - powerful, confident, and endlessly engaging. His vocals are as sharp and reliable as ever, but his presence has grown into something magnetic. Whether pacing the stage with fiery energy or locking eyes with fans in the crowd, Gutt now owns every moment in the spotlight. It has reached a point where it is harder to imagine Stone Temple Pilots without Gutt versus any version prior to his arrival with the band. As always, Robert and Dean DeLeo provided the backbone of STP’s unmistakable sound. Their tight musicianship and playful energy were the perfect counterbalance to Gutt’s intensity as he sprinted around the stage (and even jump off into the crowd at one point). The brothers looked like they were having just as much fun as the crowd, trading riffs, smiles, and moments of pure musical joy throughout the night. It was a reminder that their chemistry is the true heartbeat of this band, and it’s never sounded stronger. The night was a journey through the full scope of Stone Temple Pilots’ career. Fans were treated to a perfect balance of old favorites, deeper cuts, and fresh material. “Big Bang Baby” was a standout moment of the set early on, soaring with Gutt’s vocals. Hearing the classics re-energized while newer songs slid in seamlessly made the set feel both nostalgic and fresh at the same time. If this RockFest performance was any indication, Stone Temple Pilots are in the middle of an exciting new era. For long-time listeners and new fans alike, that means one thing: it’s time to get ready for more shows, more songs, and more unforgettable nights like this one. What is next for Stone Temple Pilots may be up in the air but one thing is for certain, they remain one of the tightest live bands in the genre.
By Matt Christine September 14, 2025
Tito Double P lit up the stage with an electrifying, sold-out performance at the Santander Arena in Reading, PA. Fans packed the venue wall to wall, singing along to every word and dancing late into the night. The high-energy show marked a milestone moment for the rising star, solidifying his place as a powerhouse in the regional music scene.
By Matt Christine August 11, 2025
Some nights, live music isn’t just entertainment—it’s a shot of adrenaline straight to the chest. August 9th at the Freedom Mortgage Pavilion was one of those nights, as The Ghost Inside, Halestorm, and Volbeat delivered three hours of catharsis, chaos, and pure rock muscle to a sold-out Camden crowd. The Ghost Inside wasted zero time easing anyone in. They came out swinging with breakdowns that rattled ribcages and choruses that felt less like sing-alongs and more like war cries. Frontman Jonathan Vigil took a beat mid-set to talk about the band’s comeback after their horrific bus crash—a moment that dropped the temperature to goosebump level before the next riff lit the fuse again. Watching them was like watching a fighter go twelve rounds and still grin through the blood. Halestorm followed with a masterclass in arena rock swagger. Lzzy Hale’s voice isn’t just powerful—it’s volcanic, equal parts precision and primal force. She could hit the high notes with a clarity that cut through the humid August air and still roar with enough grit to send shockwaves through the pit. The set was a perfect cocktail: the usual suspects like “I Miss the Misery” and “Freak Like Me,” plus fresh cuts from their new album Everest, which were greeted like instant anthems. The hometown love was undeniable—Philly-area fans roared like they’d been waiting all year for this, and the band returned the favor with a performance that felt as big as the sky over Camden. Then came Volbeat, and any lingering doubt about who owned the night evaporated. Michael Poulsen has the charm of a lounge singer and the punch of a heavyweight fighter, and his band’s mash-up of groove metal, punk snarl, and rockabilly swing is still one of the most infectious things in modern rock. “Lola Montez” had the place bouncing, “The Devil’s Bleeding Crown” hit like a wrecking ball, and their take on Sabbath’s “Children of the Grave” landed like a love letter signed in distortion. By the end, the place was a sweaty, smiling mess—proof that sometimes three bands with very different weapons can combine forces into a single, unforgettable assault. Camden may never be called “scenic” with a straight face, but on this night, under the stage lights and the ringing in our ears, it was damn near beautiful.
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The Strumbellas, a Canadian indie rock band that burst onto the scene with their first major US hit "Spirits", are back on the road in 2024 and the band kicked off their highly anticipated tour at World Cafe Live.

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What is LIVEINRDG?

The Greater Reading Area is one of the most unique live entertainment markets in the country from the heart of downtown Reading, to Royersford and even the far edges of Lancaster.


LIVEINRDG or 'Live in Reading' was an idea that was brought to reality by the teaming together of all the local venues and promoters in the market. As a result it has never been easier for fans to find their next night out!

The brand was able to expand quickly by merging with existing local music news publication Sight of Sound. Formerly known as Sight of Sound Magazine, the publication was in existence for over a decade covering concerts across the state and beyond before merging with LIVEINRDG.


Not every tour makes it to the area and Sight of Sound remains part of the LIVEINRDG brand bringing readers the 'Out of Market' Spotlight.

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With the steep decline of traditional media and news coverage of live events in the market it has never been more difficult for fans to be aware of what is going on in the Greater Reading Area. LIVEINRDG was born from this reality that this market is a true entertainment destination and the promoters, venues, organizers and artists that perform there deserve to have their stories told.

Founder and Photographer for LIVEINRDG

My name is Matt Christine and for the past decade I've been addicted to concerts. Specializing in music and live event photography since 2011, I'm obsessed with capturing those rock star moments that preset artists larger than life on stage

From 2011 until 2021, I've shared my experiences in music photography on a blog called Sight of Sound. The site featured over a thousand galleries and show reviews but has since merged with LIVEINRDG as I've brought the spotlight to events in and around the city I call home.


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