Beartooth and Trivium kick off 2023 Tour in Stroudsburg, PA

May 2, 2023

Beartooth and Trivium have teamed up for 2023's heaviest tour so far as the two bands are set to take the country (and numerous festivals) by storm this spring on this iconic 'Trivtooth' tour.

Since the tail end of the pandemic the rock and metal world has seen a legendary amount of co-headline tours as bands have teamed up for tours that fans could only have dreamed of just a few years ago. Rising metal stars Beartooth have officially hit the road with the iconic scene mainstays Trivium for what is set to be one of the most absurd tours of the year. Additionally the two headline bands have been joined by some incredible upcoming talent on this tour as Malevolence and Archtypes Collide have joined them as special guests.

Beartooth have been riding a wave of success that truly began in 2019 but has taken the band to all new heights as they've powered through the past few years with some of their best material and biggest tours of their career. This tour kick off show at the Sherman Theater came right on the heels of their recent release "Sunshine" that has seen the band yet again take over the streaming and radio charts. The band has some of the best singles of the past few years and their fanbase is by far one of the most loyal and passionate with the scene. While there were a good number of Trivium shirts that could be spotted in the crowd at Stroudsburg it was an overwhelming see of black and yellow shirts with the band's stylized Beartooth logo etched across them all.


Caleb Shomo and Beartooth dashed on stage just before 9PM to the roar of the crowd as their logo was displayed on a traditional stage banner behind them and haze flooded the stage. A massive array of color lighting burst to life at the start of the first song as Shomo belted out the opening lyrics of "Devastation" and the crowd suddenly went insane. Security was quickly overwhelmed with crowd surfers coming over the barricade as the band rattled through a 13 song and 60 minute set that gave the fans just enough but also probably left them wanting even more. Beartooth has already hit a point in their career where constructing a setlist is getting difficult as the newly released "Sunshine" made in early appearance alongside some other expected tracks such as "Skin," "Riptide" and "Disease." The set from start to finish flew by despite covering a large amount of the band's material as they wasted very little time between songs as the tried (and succeeded) at giving their fans as many songs as possible in Stroudsburg. Beartooth was far from the first metal band to play the Sherman Theater but is easily the first that has caused such chaos both on and off stage that security needed to be rushed to the stage from elsewhere to help. Through it all the fans were smiling as they opened a massive circle pit and came across the barricade nonstop - Beartooth saw this and was fueled by the energy which made the night even more legendary. As quickly as the mosh pits opened they closed and fans quickly made their way to merch, the bar and the bathroom as the set was changed over for the next round at the Sherman Theater.


It may have been a Monday night but that didn't keep the crowd from staying packed in the venue for 9:50 arrival of Trivium. In fact, based on the hype level from the crowd you would have been safe assuming it was a Friday or Saturday as Pennsylvania showed why our state has a reputation for being one of the best markets in the country for rock and metal. Trivium burst onto the stage with a vengeance as their massive white curtain drop was whisked across the stage at the start of the set to reveal the band and a relentless amount of strobes that were perfectly timed to every guitar riff. Lead singer Matt Heafy nearly blended with the massive illustrative backdrop on stage as he wore a jacket of a similar pattern but he was easy to spot as he ran across the stage to various microphones while ripping on his guitar. Much like Beartooth before them Trivium delivered a technically stunning set of material that also spanned 60 minutes and covered the vast catalog of songs they have put out of the years. From the first riff to the last drum snare Trivium left it all on the stage and Stoudsburg left it all in the pit for them as well.


There is always a certain level of uncertainty when it comes to the opening night of tour but the Sherman Theater showed up and set the bar for the rest of the tour for Beartooth and Trivium. 2023 has been a once in a life time year in the touring world for rock fans and this tour is easily towards the top of ones that simply cannot be missed.


Do yourself a favor and find the nearest date coming to you because 'Trivtooth' is a combination that can't be missed.

Article Written By:

Matt Christine

Jack's Mannequin return to Philadelphia for another SOLD OUT show

By Matt Christine • June 13, 2025
On June 8, Jack’s Mannequin swept into the Fillmore Philadelphia for the hometown stop of their Made For Each Other 20th-anniversary tour, turning the storied ballroom into a reunion between new Andrew McMahon fans from his solo era and the fans who grew up with his songs in Jack's Mannequin. A burst of lights and the band made their way to their places on set as the massive LED screens behind them flicked to life with the roar of the crowd—almost before the crowd could catch its breath—the band dove head-first into “Bruised,” instantly launching a full-room sing-along for the first time of the night. The family style sing-alongs would continue all night long because a Jack's Mannequin show is more than just a concert, it's a gathering of fans of all walks of life. Rather than lean solely on radio favorites, McMahon built a career-spanning arc that kept veterans and newcomers guessing. Early standouts “The Mixed Tape” and “Amy, I” landed with arena-sized fervor, while deeper cuts like “Spinning,” “Television,” and the introspective “Cell Phone” offered welcome detours for die-hard listeners. Mid-show, the tempo dropped for a surprise, lights-down, almost-whispered rendition of “Hammers and Strings (A Lullaby)”—performed nearly a cappella, save for a few plaintive piano chords. It was McMahon’s first time revisiting the lullaby in years, and the silence that followed its last note spoke louder than any applause. The final stretch was a one-two-three knockout: “I’m Ready,” “The Resolution,” and the soaring “Dark Blue,” each chorus louder than the last. After a brief exit, the band returned beneath a single spotlight for the encore. McMahon tipped his cap to the tour’s namesake, easing into the gentle “Restless Dream” before the full ensemble erupted into the sprawling suite “MFEO: Pt. 1 — Made For Each Other / Pt. 2 — You Can Breathe,” turning the title track into a communal vow to keep moving forward together. Twenty years on, Andrew McMahon and company showed how to honor a past without getting trapped in it: by laughing at the room you’re in, risking a fragile ballad in the middle of the party, and playing every song like it still belongs to today.

Shakira brings the 'Las Mujeres Ya No Lloran World Tour' to Atlanta

By Matt Christine • June 4, 2025
After a rocky start to her U.S. leg, with technical issues forcing the postponement of both the Washington, D.C. and Boston dates, Shakira delivered an electrifying, glitch-free performance in Atlanta that more than made up for the delays. The sold-out show at State Farm Arena proved why the Colombian superstar remains a force in global pop music: it was a spectacle of raw emotion, razor-sharp choreography, and dazzling stagecraft. Every moment felt polished and purposeful, yet deeply personal, a balance only a veteran performer like Shakira can pull off. The night opened with La Fuerte, a powerful declaration of intent that set the tone: this tour is about resilience, evolution, and feminine power. With minimal delay, she launched into a fierce rendition of GIRL LIKE ME, originally with the Black Eyed Peas, injecting it with her signature moves and vocal style. The audience, many of whom were adorned with glittering wolf ears and flashing LED bracelets, responded instantly, roaring as she transitioned into a nostalgic medley of Las de la intuición and Estoy aquí. It was a clever juxtaposition—early-career Shakira meeting her modern self, both artists occupying the stage in harmony. One of the most emotionally potent sequences came with Empire blending into Inevitable, where her vocals took on an operatic, almost volcanic intensity. The screen behind her exploded with elemental visuals—lava flows, crashing waves—mirroring the emotional crescendo on stage. This wasn’t just a concert; it was a catharsis. Later, Acróstico offered a softer moment, featuring a touching video of her children Sasha and Milan singing along, which visibly moved many in the crowd. You could hear a pin drop as Shakira sat on a stool, wiping away tears mid-performance. In terms of showmanship, the middle of the setlist was where Shakira proved her mettle. Copa Vacía, La Bicicleta, and La Tortura formed a seamless trinity of reggaeton and cumbia-infused pop, each song melting into the next with smooth transitions and high-energy dance breaks. She momentarily disappeared backstage during Chantaje, only to reemerge in a vibrant new costume and launch into a salsa version of the hit that transformed the entire arena into a nightclub. By the time she reached Whenever, Wherever, complete with a dramatic belly dance introduction using knives, Shakira had the entire arena in the palm of her hand. Her hips truly didn’t lie, and neither did the crowd, erupting into a thunderous sing-along. That energy spilled right into Waka Waka (This Time for Africa), which featured a thrilling Champeta breakdown and pulsating rhythms that was the infectious anthem of the 2010 World Cup. Shakira left the stage like a mythic figure—part woman, part legend—having proven once again that she isn’t just a performer. She’s a storyteller, a mother, a rebel, and above all, a she-wolf with a story still very much in motion.

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.