Killswitch Engage, August Burns Red & Light the Torch unite for 'The Atonement Tour'

February 8, 2022

Three metal powerhouses have hit the road early in 2022 at last as Killswitch Engage have taken August Burns Red and Light the Torch out with them for the 'Atonement Tour' after numerous delays during the pandemic keeping the trio from the road.

This powerhouse of a headline tour for Killswitch Engage supporting their album "Atonement" marked the culmination of 20 years of iconic metal history hitting the round for a truly unique tour. Killswitch has long been a touring mainstay in the metal scene whether being helmed on vocals by Jesse Leach in the early years (and now) or Howard Jones during the stretch in the middle. Now, fans were treated to the best of both worlds as the two came together on this tour, with Jones own band Light the Torch starting things off each night. Jones is no stranger to Killswitch fans and the crowd at the Sherman Theater welcomed him like an old friend when the band hit the stage.


The crowd of some 1,400 strong metal fans that came out on a Monday night to open up the pit gave Light the Torch as much energy as they would have a headliner on that stage. Jones remains impressive on vocals and the band around him are all also veterans in their own right who delivered across all parts to give the packed Sherman Theater an opening set with a high bar to beat. However, shortly after their departure from the stage the night was set to take a turn for the heavier as Pennsylvania legends August Burns Red were set to remind their home state what they can do.

Across an 11 song set August Burns Red brought the intensity for the Sherman Theater that resulted in the first crowd surfers of the night to make their way across the barricade. The band's expansive catalog allowed them to craft a diverse setlist from all eras of their discography that was also incredibly heavy for the Killswitch Engage diehards in the crowd. Lead singer, Jake Luhrs, has always been a stand out live vocalist in the new era of metal and with age he has continued to grow into a true frontman as he commanded the stage during his performance. Alongside him the rest of the band provided the same stability in their performances whether it was a guitar rip from JB Brubaker or a drum line from Matt Greiner. August Burns Red collectively impressive set, combined with their well crafted setlist and very over the top production allowed them to deliver a performance made for an arena, not a theater or club. This Pennsylvanian band has continued to rise through the ranks over the year and they reminded their home state fans at the Sherman Theater that they aren't done yet but for now they continue on the 'Atonement Tour' with Killswitch Engage to perform to packed venues every night.

The saga of Killswitch Engage across the past 20 years is truly that of a poetry in the metal world as they rose to colossal heights early on and while the journey here hasn't always been the clearest at times they remain as relevant as when they debuted into the scene. 'The Atonement Tour' has resulted in packed venues nationwide so far and the band was greeted to a massive crowd on a Monday night in Stroudsburg, Pennslyvania at the Sherman Theater. While the venue is a staple within the state it is by no means a major city play which made the colossal turn out on an early weeknight even more impressive by Killswitch Engage.


The band's set was brutal, intense and as all good metal sets should be full of crowd surfing and moshing. The majority of shows on this tour have had revolving setlists and the Sherman Theater was no exception as the band made sure mainstays like "My Last Serenade" remained in the set but took some risks as they debuted "World Ablaze" for the first time with Jesse Leach singing. The band's 18 song set was a rollercoaster that left many in the crowd exhausted from the back to back to back approach of the band's live set. Leach prowled the stage all night long while eager fans flowed into the arms of security guards who kept them from getting any closer to the stage but that didn't keep them from reaching out for a fist bump from any band member in reach.


The evening culminated in a once in a lifetime encore as Howard Jones, front man during the era of the band while Jesse Leach had taken a break, re-joined the band for a closing set of 3 massive songs.

Article Written By:

Matt Christine

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.

Bishop Briggs hits Union Transfer for the "Tell Me Therapist I'm Fine" Tour

By Matt Christine • March 30, 2025
Bishop Briggs brought an electrifying storm to Philadelphia’s Union Transfer on the second-to-last stop of her “Tell My Therapist I’m Fine” tour—and if the title wasn’t already dripping in irony, her explosive set made it perfectly clear. Kicking off with “My Serotonin,” she transformed the venue into a cathartic dance party-meets-emotional bootcamp. It felt less like a concert and more like cracking open someone’s diary set to a thunderous bassline. From the jump, Briggs’ stage presence was nothing short of kinetic. She didn’t just command the stage—she treated it like an Olympic track, sprinting, leaping, and tearing across every corner without missing a note. During “Dark Side,” her energy swelled with the song’s intensity, delivering a performance that was equal parts spiritual purge and high-voltage rock ritual. “Woman Is King” arrived like a crown drop. Her voice soared, the crowd erupted, and in that moment, the track became less of a song and more of a statement—powerful, fearless, and unapologetically loud. It was the kind of performance that made you want to run through a wall or at least buy a leather jacket. The new single generated one of the best reactions from the crowd all night long and Briggs flashed more than one of her signature smiles from on stage during the emotional performance of the new track. Briggs didn’t just play a show—she led an emotional endurance test across 20 songs, and Philadelphia was more than willing to sweat it out with her from start to finish in this historic venue. If this was her version of therapy, then the rest of us were gladly booked in as co-patients.

Spencer Sutherland brings the "DRAMA" to Philadelphia at the Foundry

By Matt Christine • March 24, 2025
Spencer Sutherland lit up The Foundry in Philadelphia on March 20 with a headlining set that blended pop, soul, and showmanship in all the right ways. From the moment he hit the stage, his charisma was undeniable—commanding the crowd with powerful vocals and effortless swagger. Fans sang every word back to him, creating a room-wide chorus that felt more like a celebration than a concert. With emotional ballads, high-energy bangers, and a few unexpected twists, Sutherland proved he's not just riding momentum—he’s building a movement.