Liam Gallagher returns to Pennsylvania for the first time in a decade

May 20, 2018

This is the story of Liam Gallagher’s gig in Philadelphia and it is nothing short of a saga worthy of enscribing into the history books of true rock n’ roll

In an ironic yet symbolic fashion the city of Philadelphia was shadowed with a dreary London-esque overcast with rain for the duration of the day. This unpleasant weather pattern had been cited as the reason the decision had been made to move the night was moved indoor from it’s original location at Festival Pier to the Fillmore. The venue opened doors early, around 6:30PM, and the sea of umbrella carrying fans filled inside to get a pint or whiskey before taking their places on the massive floor of the Fillmore.


For many fans this night was their first experience getting to see Liam Gallagher perform a gig. Some of them were late to the Oasis train for whatever reason it may have been, others were simply too young when the band was in it’s peak and some were even just introduced to Gallagher when his solo album came out last year. These newcomers were quick to kick up conversation with the veterans in attendance who were even quicker to trade stories of other gigs they had caught Gallagher at – a few even alluded to a coveted ‘biblical’ gig, a phrase that Gallagher had reserved for only the best shows of the tour. The anticipation for the start of the show was palpable and the postponement of the November show only served to add to the level of energy that filled the room.

Gallagher wasted no time and used few words as he approached the microphone to simply say “Rock ‘n’ Roll Star” as strobe lights flashed around him to state the show. Less is more though as the crowd erupted with applause as the band kicked off the gig with the Oasis classic and moved quickly into “Morning Glory” with Gallagher only taking time to toss a fan a tambourine in between the two iconic songs. Initially hidden behind a sleek pair of sunglasses Gallagher was quick to toss them aside as the set pushed on into his solo material but his signature parka remained in place for the duration of the 12 song set.


Whether Gallagher was performing solo songs, Oasis hits or even some deeper cuts his vocals were spot on and the crowd knew early on that this Philadelphia gig was going to be one of the special nights of this shorter US tour taking place. The band was equally tight for the duration of the set and the mix was perfectly done allowing Gallagher’s strong vocals to carry the set from start to finish.


It was not a show – it was a concert, a true rock n’ roll gig in the big city and Gallagher, while serious when performing, kept things light through out the night as he bantered with the crowd and offered a sincere apologize for the November cancellation before he performed a remarkable live version of “For What It’s Worth.”

There was no denying that the Oasis songs factored heavily into the set but artistically Gallagher’s new material of his solo album ‘As You Were’ offered him a wider range of material to work with during the set. Some of the slower songs allowed Gallagher’s voice to really resonate into the venue and at one point while he was performing “Bold” the crowd erupted in thunderous applause at the end of the strong showing of talent.



The second time around proved to be the charm for Liam Gallagher’s arrival to Philadelphia and it was possibly the gig of the year for the city of Philadelphia. During the set Gallagher promised he would return and mentioned the possibility of his new album being out in the next year or so. Whether he is back supporting more new material or another run on the current album there will be no question that Philadelphia will show up for ‘RKID’ and he will put on all he has for them in return. Call it ‘biblical,’ ‘mega,’ ‘legendary,’ or whatever else you will – Liam Gallagher is the last true rock star and this show was one more chapter in his legacy.


Article Written By:

Matt Christine

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.

Bishop Briggs hits Union Transfer for the "Tell Me Therapist I'm Fine" Tour

By Matt Christine • March 30, 2025
Bishop Briggs brought an electrifying storm to Philadelphia’s Union Transfer on the second-to-last stop of her “Tell My Therapist I’m Fine” tour—and if the title wasn’t already dripping in irony, her explosive set made it perfectly clear. Kicking off with “My Serotonin,” she transformed the venue into a cathartic dance party-meets-emotional bootcamp. It felt less like a concert and more like cracking open someone’s diary set to a thunderous bassline. From the jump, Briggs’ stage presence was nothing short of kinetic. She didn’t just command the stage—she treated it like an Olympic track, sprinting, leaping, and tearing across every corner without missing a note. During “Dark Side,” her energy swelled with the song’s intensity, delivering a performance that was equal parts spiritual purge and high-voltage rock ritual. “Woman Is King” arrived like a crown drop. Her voice soared, the crowd erupted, and in that moment, the track became less of a song and more of a statement—powerful, fearless, and unapologetically loud. It was the kind of performance that made you want to run through a wall or at least buy a leather jacket. The new single generated one of the best reactions from the crowd all night long and Briggs flashed more than one of her signature smiles from on stage during the emotional performance of the new track. Briggs didn’t just play a show—she led an emotional endurance test across 20 songs, and Philadelphia was more than willing to sweat it out with her from start to finish in this historic venue. If this was her version of therapy, then the rest of us were gladly booked in as co-patients.

Spencer Sutherland brings the "DRAMA" to Philadelphia at the Foundry

By Matt Christine • March 24, 2025
Spencer Sutherland lit up The Foundry in Philadelphia on March 20 with a headlining set that blended pop, soul, and showmanship in all the right ways. From the moment he hit the stage, his charisma was undeniable—commanding the crowd with powerful vocals and effortless swagger. Fans sang every word back to him, creating a room-wide chorus that felt more like a celebration than a concert. With emotional ballads, high-energy bangers, and a few unexpected twists, Sutherland proved he's not just riding momentum—he’s building a movement.