Liam Gallagher returns to Pennsylvania for the first time in a decade

May 20, 2018

This is the story of Liam Gallagher’s gig in Philadelphia and it is nothing short of a saga worthy of enscribing into the history books of true rock n’ roll

In an ironic yet symbolic fashion the city of Philadelphia was shadowed with a dreary London-esque overcast with rain for the duration of the day. This unpleasant weather pattern had been cited as the reason the decision had been made to move the night was moved indoor from it’s original location at Festival Pier to the Fillmore. The venue opened doors early, around 6:30PM, and the sea of umbrella carrying fans filled inside to get a pint or whiskey before taking their places on the massive floor of the Fillmore.


For many fans this night was their first experience getting to see Liam Gallagher perform a gig. Some of them were late to the Oasis train for whatever reason it may have been, others were simply too young when the band was in it’s peak and some were even just introduced to Gallagher when his solo album came out last year. These newcomers were quick to kick up conversation with the veterans in attendance who were even quicker to trade stories of other gigs they had caught Gallagher at – a few even alluded to a coveted ‘biblical’ gig, a phrase that Gallagher had reserved for only the best shows of the tour. The anticipation for the start of the show was palpable and the postponement of the November show only served to add to the level of energy that filled the room.

Gallagher wasted no time and used few words as he approached the microphone to simply say “Rock ‘n’ Roll Star” as strobe lights flashed around him to state the show. Less is more though as the crowd erupted with applause as the band kicked off the gig with the Oasis classic and moved quickly into “Morning Glory” with Gallagher only taking time to toss a fan a tambourine in between the two iconic songs. Initially hidden behind a sleek pair of sunglasses Gallagher was quick to toss them aside as the set pushed on into his solo material but his signature parka remained in place for the duration of the 12 song set.


Whether Gallagher was performing solo songs, Oasis hits or even some deeper cuts his vocals were spot on and the crowd knew early on that this Philadelphia gig was going to be one of the special nights of this shorter US tour taking place. The band was equally tight for the duration of the set and the mix was perfectly done allowing Gallagher’s strong vocals to carry the set from start to finish.


It was not a show – it was a concert, a true rock n’ roll gig in the big city and Gallagher, while serious when performing, kept things light through out the night as he bantered with the crowd and offered a sincere apologize for the November cancellation before he performed a remarkable live version of “For What It’s Worth.”

There was no denying that the Oasis songs factored heavily into the set but artistically Gallagher’s new material of his solo album ‘As You Were’ offered him a wider range of material to work with during the set. Some of the slower songs allowed Gallagher’s voice to really resonate into the venue and at one point while he was performing “Bold” the crowd erupted in thunderous applause at the end of the strong showing of talent.



The second time around proved to be the charm for Liam Gallagher’s arrival to Philadelphia and it was possibly the gig of the year for the city of Philadelphia. During the set Gallagher promised he would return and mentioned the possibility of his new album being out in the next year or so. Whether he is back supporting more new material or another run on the current album there will be no question that Philadelphia will show up for ‘RKID’ and he will put on all he has for them in return. Call it ‘biblical,’ ‘mega,’ ‘legendary,’ or whatever else you will – Liam Gallagher is the last true rock star and this show was one more chapter in his legacy.


Article Written By:

Matt Christine

Jack's Mannequin return to Philadelphia for another SOLD OUT show

By Matt Christine • June 13, 2025
On June 8, Jack’s Mannequin swept into the Fillmore Philadelphia for the hometown stop of their Made For Each Other 20th-anniversary tour, turning the storied ballroom into a reunion between new Andrew McMahon fans from his solo era and the fans who grew up with his songs in Jack's Mannequin. A burst of lights and the band made their way to their places on set as the massive LED screens behind them flicked to life with the roar of the crowd—almost before the crowd could catch its breath—the band dove head-first into “Bruised,” instantly launching a full-room sing-along for the first time of the night. The family style sing-alongs would continue all night long because a Jack's Mannequin show is more than just a concert, it's a gathering of fans of all walks of life. Rather than lean solely on radio favorites, McMahon built a career-spanning arc that kept veterans and newcomers guessing. Early standouts “The Mixed Tape” and “Amy, I” landed with arena-sized fervor, while deeper cuts like “Spinning,” “Television,” and the introspective “Cell Phone” offered welcome detours for die-hard listeners. Mid-show, the tempo dropped for a surprise, lights-down, almost-whispered rendition of “Hammers and Strings (A Lullaby)”—performed nearly a cappella, save for a few plaintive piano chords. It was McMahon’s first time revisiting the lullaby in years, and the silence that followed its last note spoke louder than any applause. The final stretch was a one-two-three knockout: “I’m Ready,” “The Resolution,” and the soaring “Dark Blue,” each chorus louder than the last. After a brief exit, the band returned beneath a single spotlight for the encore. McMahon tipped his cap to the tour’s namesake, easing into the gentle “Restless Dream” before the full ensemble erupted into the sprawling suite “MFEO: Pt. 1 — Made For Each Other / Pt. 2 — You Can Breathe,” turning the title track into a communal vow to keep moving forward together. Twenty years on, Andrew McMahon and company showed how to honor a past without getting trapped in it: by laughing at the room you’re in, risking a fragile ballad in the middle of the party, and playing every song like it still belongs to today.

Shakira brings the 'Las Mujeres Ya No Lloran World Tour' to Atlanta

By Matt Christine • June 4, 2025
After a rocky start to her U.S. leg, with technical issues forcing the postponement of both the Washington, D.C. and Boston dates, Shakira delivered an electrifying, glitch-free performance in Atlanta that more than made up for the delays. The sold-out show at State Farm Arena proved why the Colombian superstar remains a force in global pop music: it was a spectacle of raw emotion, razor-sharp choreography, and dazzling stagecraft. Every moment felt polished and purposeful, yet deeply personal, a balance only a veteran performer like Shakira can pull off. The night opened with La Fuerte, a powerful declaration of intent that set the tone: this tour is about resilience, evolution, and feminine power. With minimal delay, she launched into a fierce rendition of GIRL LIKE ME, originally with the Black Eyed Peas, injecting it with her signature moves and vocal style. The audience, many of whom were adorned with glittering wolf ears and flashing LED bracelets, responded instantly, roaring as she transitioned into a nostalgic medley of Las de la intuición and Estoy aquí. It was a clever juxtaposition—early-career Shakira meeting her modern self, both artists occupying the stage in harmony. One of the most emotionally potent sequences came with Empire blending into Inevitable, where her vocals took on an operatic, almost volcanic intensity. The screen behind her exploded with elemental visuals—lava flows, crashing waves—mirroring the emotional crescendo on stage. This wasn’t just a concert; it was a catharsis. Later, Acróstico offered a softer moment, featuring a touching video of her children Sasha and Milan singing along, which visibly moved many in the crowd. You could hear a pin drop as Shakira sat on a stool, wiping away tears mid-performance. In terms of showmanship, the middle of the setlist was where Shakira proved her mettle. Copa Vacía, La Bicicleta, and La Tortura formed a seamless trinity of reggaeton and cumbia-infused pop, each song melting into the next with smooth transitions and high-energy dance breaks. She momentarily disappeared backstage during Chantaje, only to reemerge in a vibrant new costume and launch into a salsa version of the hit that transformed the entire arena into a nightclub. By the time she reached Whenever, Wherever, complete with a dramatic belly dance introduction using knives, Shakira had the entire arena in the palm of her hand. Her hips truly didn’t lie, and neither did the crowd, erupting into a thunderous sing-along. That energy spilled right into Waka Waka (This Time for Africa), which featured a thrilling Champeta breakdown and pulsating rhythms that was the infectious anthem of the 2010 World Cup. Shakira left the stage like a mythic figure—part woman, part legend—having proven once again that she isn’t just a performer. She’s a storyteller, a mother, a rebel, and above all, a she-wolf with a story still very much in motion.

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.