Oliver Tree brings Sueco and 347Aidan for 'Sold Out' show in Philadelphia

March 22, 2022

Oliver Tree's 'Cowboy Tears' tour rolled through Philadelphia after selling out weeks in advance for an iconic (and insane) sold out performance at the Fillmore that included sets from special guests Sueco and 347Aidan.

While Oliver Tree may be "newer" the alternative touring world his legacy as both a studio musician and live performer is already years ahead of his age as Tree has pioneered an artistic image unlike any other. Before Tik Tok gave artists an avenue to truly do whatever they wanted for digital content Oliver Tree launched his persona and has continued to grow it in the years that have followed. Now on tour in support of his country and alternative mash up album 'Cowboy Tears,' Tree has performed mostly sold out shows nationwide to his fans.


Joining Oliver Tree on this tour were rising stars 347Aidan and Sueco who grew to new heights with their recent material as well as success on Tik Tok during the pandemic when there was a pause in touring. 347Aidan is widely known for his song "Dancing In My Room" that spent multiple weeks as a top song on the platform but his recent EP also charted well on streaming charts. The young artist was a bit under the weather for the performance in Philadelphia he explained but it didn't keep him from delivered a great set to a crowd that was clearly eager to see him as they arrived very early in the night to catch the set.

Sueco took the stage shortly after for a set that was a non stop punk banger from start to finish that saw him diving into the crowd multiple times and even at one point getting lost in the mosh pit of the crowd. In the past year Sueco has had numerous songs climb the alternative charts and feature on streaming playlists including "SOS" (featuring Travis Barker, "Paralyzed" and most recently "Loser." His new album 'It Was Fun While It Lasted' was released during the run of this tour and it peaked at Number 1 on the alternative streaming charts briefly beating out Avril Lavigne. Sueco's set was as fun as the album itself is and while not technically perfect he delivered a true rock performance even going as far as smashing a guitar during the middle of the set. For an artist on his first tour ever Sueco shined brightest when he was having fun on stage and showcased a lot of potential to dominate the touring world as he has with the streaming world in the past year as his 30 minute set kept the crowd dancing from start to finish.

Oliver Tree's arrival to the stage was met with a thunderous roar from the crowd as he told them to get their hands up as he danced across the stage and kicked off the night with his cover of Getter's "Forget You." For those in attendance the show played out as vividly as an action movie mashed with a love drama and explaining what an Oliver Tree show is to the unfamiliar music fan is truly impossible. Tree quickly jumped into a performance of "Alien Boy" that caused the crowd to surge with excitement as he did multiple rounds of his borderline trademarked dances across the stage. At times you'd have expected the show to slow down for Oliver Tree to catch his breathe but it was in these moments things only got more insane as cows were brought out on to the stage, little motorcycles appeared and even toilet paper was sent across the stage for an "emergency" bathroom break.


A lot of artists have played the Fillmore in Philadelphia, possibly thousands at this point, but none of them are Oliver Tree. In an alternative genre that is increasingly competitive Tree has created a niche that is truly all his own and at the same time created some amazing art that deserves to be recognized as among the best in the scene. Vocally Tree delivered flawless performances of all of his "hits" and a dozen more songs from his albums that were both entertainingly remade into their live renditions. Highlights of the set certainly included the lead single "Cowboy Tears" but some deeper cuts like "Cigarettes" and "Miracle Man" also shined bright in the lengthy set that Tree brought for Philadelphia.

Across 20 songs Oliver Tree took the sold out crowd at the Fillmore Philadelphia on a musical journey out of this planet and be the time he returned them back to Earth they were exhausted from singing and dancing all night. There is only one Oliver Tree and his trajectory is only upwards from here as it has been since his debut. If you missed the 'Cowboy Tears' tour you missed a once in a life time experience of a show with killer support - until Oliver Tree decides to hit the road again and outdoes himself as he has time and time again.

Article Written By:

Matt Christine

Jack's Mannequin return to Philadelphia for another SOLD OUT show

By Matt Christine • June 13, 2025
On June 8, Jack’s Mannequin swept into the Fillmore Philadelphia for the hometown stop of their Made For Each Other 20th-anniversary tour, turning the storied ballroom into a reunion between new Andrew McMahon fans from his solo era and the fans who grew up with his songs in Jack's Mannequin. A burst of lights and the band made their way to their places on set as the massive LED screens behind them flicked to life with the roar of the crowd—almost before the crowd could catch its breath—the band dove head-first into “Bruised,” instantly launching a full-room sing-along for the first time of the night. The family style sing-alongs would continue all night long because a Jack's Mannequin show is more than just a concert, it's a gathering of fans of all walks of life. Rather than lean solely on radio favorites, McMahon built a career-spanning arc that kept veterans and newcomers guessing. Early standouts “The Mixed Tape” and “Amy, I” landed with arena-sized fervor, while deeper cuts like “Spinning,” “Television,” and the introspective “Cell Phone” offered welcome detours for die-hard listeners. Mid-show, the tempo dropped for a surprise, lights-down, almost-whispered rendition of “Hammers and Strings (A Lullaby)”—performed nearly a cappella, save for a few plaintive piano chords. It was McMahon’s first time revisiting the lullaby in years, and the silence that followed its last note spoke louder than any applause. The final stretch was a one-two-three knockout: “I’m Ready,” “The Resolution,” and the soaring “Dark Blue,” each chorus louder than the last. After a brief exit, the band returned beneath a single spotlight for the encore. McMahon tipped his cap to the tour’s namesake, easing into the gentle “Restless Dream” before the full ensemble erupted into the sprawling suite “MFEO: Pt. 1 — Made For Each Other / Pt. 2 — You Can Breathe,” turning the title track into a communal vow to keep moving forward together. Twenty years on, Andrew McMahon and company showed how to honor a past without getting trapped in it: by laughing at the room you’re in, risking a fragile ballad in the middle of the party, and playing every song like it still belongs to today.

Shakira brings the 'Las Mujeres Ya No Lloran World Tour' to Atlanta

By Matt Christine • June 4, 2025
After a rocky start to her U.S. leg, with technical issues forcing the postponement of both the Washington, D.C. and Boston dates, Shakira delivered an electrifying, glitch-free performance in Atlanta that more than made up for the delays. The sold-out show at State Farm Arena proved why the Colombian superstar remains a force in global pop music: it was a spectacle of raw emotion, razor-sharp choreography, and dazzling stagecraft. Every moment felt polished and purposeful, yet deeply personal, a balance only a veteran performer like Shakira can pull off. The night opened with La Fuerte, a powerful declaration of intent that set the tone: this tour is about resilience, evolution, and feminine power. With minimal delay, she launched into a fierce rendition of GIRL LIKE ME, originally with the Black Eyed Peas, injecting it with her signature moves and vocal style. The audience, many of whom were adorned with glittering wolf ears and flashing LED bracelets, responded instantly, roaring as she transitioned into a nostalgic medley of Las de la intuición and Estoy aquí. It was a clever juxtaposition—early-career Shakira meeting her modern self, both artists occupying the stage in harmony. One of the most emotionally potent sequences came with Empire blending into Inevitable, where her vocals took on an operatic, almost volcanic intensity. The screen behind her exploded with elemental visuals—lava flows, crashing waves—mirroring the emotional crescendo on stage. This wasn’t just a concert; it was a catharsis. Later, Acróstico offered a softer moment, featuring a touching video of her children Sasha and Milan singing along, which visibly moved many in the crowd. You could hear a pin drop as Shakira sat on a stool, wiping away tears mid-performance. In terms of showmanship, the middle of the setlist was where Shakira proved her mettle. Copa Vacía, La Bicicleta, and La Tortura formed a seamless trinity of reggaeton and cumbia-infused pop, each song melting into the next with smooth transitions and high-energy dance breaks. She momentarily disappeared backstage during Chantaje, only to reemerge in a vibrant new costume and launch into a salsa version of the hit that transformed the entire arena into a nightclub. By the time she reached Whenever, Wherever, complete with a dramatic belly dance introduction using knives, Shakira had the entire arena in the palm of her hand. Her hips truly didn’t lie, and neither did the crowd, erupting into a thunderous sing-along. That energy spilled right into Waka Waka (This Time for Africa), which featured a thrilling Champeta breakdown and pulsating rhythms that was the infectious anthem of the 2010 World Cup. Shakira left the stage like a mythic figure—part woman, part legend—having proven once again that she isn’t just a performer. She’s a storyteller, a mother, a rebel, and above all, a she-wolf with a story still very much in motion.

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.