Shinedown return to Pennsylvania with 'The Revolutions Live Tour'

April 12, 2023

For the third time in less than a calendar year Shinedown returned to Pennsylvania in support of their latest release 'Planet Zero.' The album has taken the band to new record setting heights on the rock radio charts and led to sold out shows across the world on 'The Revolutions Live Tour.'

The past 10 years of rock n' roll have belonged to Shinedown and truly no one else as the band has continued to dominate the charts and ticket sales for every tour they've hit the road with. Not only has the band outshined all of their peers in the genre they also gone on to sell well over 10 million records during the time, Shinedown has made history by moving even further into the #1 position on the Billboard Charts for Rock Artists with singles reaching the #1 position. On the day the band was set to perform for a packed house in Wilkes Barre, PA at the Mohegan Sun Arena they announced that their latest single "Dead Don't Die" had officially gone number one making it their 20th single to achieve the prestigous ranking. Shinedown are currently on the third leg of the 'The Revolution's Live Tour' and are showing no signs of slowing down as nearly every performance has been sold out or down to very limited tickets. There was really no denying that the release of 'Planet Zero' in 2022 was going to mark a huge milestone in the band's career but it truly has launched them even further than anyone could have imagined.

Shinedown has had the same revolutionary stage production out with them on the road since the beginning of the tour in 2022 - this leg saw the band update the pre-show video with tons of news clips of them both on and off stage from over the past year on the road. However the vibe quickly switched into show mode as an updated version of cryptic alien symbols took over the screen, an AI appeared and the Mohegan Sun Arena was taken from 2023 and transported to "Planet Zero." As they have all tour Shinedown emerged from behind their video wall but this year they mixed things up a bit as they kicked the show with a long time fan favorite "Diamond Eyes."

Through 19 songs Shinedown reminded the massive crowd exactly how they became the best and most important rock band of the century - their artistry and raw talent. The band has reached a point where they truly do have too many songs to choose from as so many songs translate well into their live show. While fans have some to expect certain mainstay songs in the list there is always a bit of unpredictably as to what songs the band might routine in and out which keeps each tour fresh for both them and the fans. The current 'Revolutions Live Tour' saw the band find a solid mix of commercial singles, fan favorites and stellar deep cuts that weren't on performed during the previous tours. One new addition to the setlist this time around was a stunning performance of "A Symptom of Being Human" that both showcased Brent Smith's incredible vocal range as well as provided an amazing moment as fans lit the arena with their lights and cell phones.


Through out the entire Brent Smith yet again delivered a masterful vocal performance alongside he performance partner in crime Zach Myers on guitar. The duo captivated the crowd as they spent a lot of time on the massive stage feeding off each other's energy. Smith made the rounds often back to Eric Bass on bass Barry Kerch back on drums as well through out the night. All the while Smith reminded the crowd exactly how they've gotten to the point in the career that they have 20 number one singles on the rock charts. It's been said before and with each passing hit and live performance it becomes clearer that Shinedown's fans are living in an era where they get to be a part of the history of what may go down as the best rock band of all time.


Shinedown has nothing left to prove at this point in their career and they haven't for awhile. Artistically their musically has never been stronger and the live performances have continued to grow more legendary with each tour as they have truly embraced their title "best rock band of all time." The craziest part about that is that they aren't done yet as they have entered the most creative and innovate era of their legacy. 'Planet Zero' took Shinedown to a whole new world of success, whatever is coming next may just take them to a whole new galaxy as the band certainly gets ready for the jump from arena's to stadiums in the near future. Shinedown continues to impress and the show at the Mohegan Sun Arena in Wilkes Barre, Pennsylvania was just another line item in a historic career that has no end in sight.

Article Written By:

Matt Christine

Jack's Mannequin return to Philadelphia for another SOLD OUT show

By Matt Christine • June 13, 2025
On June 8, Jack’s Mannequin swept into the Fillmore Philadelphia for the hometown stop of their Made For Each Other 20th-anniversary tour, turning the storied ballroom into a reunion between new Andrew McMahon fans from his solo era and the fans who grew up with his songs in Jack's Mannequin. A burst of lights and the band made their way to their places on set as the massive LED screens behind them flicked to life with the roar of the crowd—almost before the crowd could catch its breath—the band dove head-first into “Bruised,” instantly launching a full-room sing-along for the first time of the night. The family style sing-alongs would continue all night long because a Jack's Mannequin show is more than just a concert, it's a gathering of fans of all walks of life. Rather than lean solely on radio favorites, McMahon built a career-spanning arc that kept veterans and newcomers guessing. Early standouts “The Mixed Tape” and “Amy, I” landed with arena-sized fervor, while deeper cuts like “Spinning,” “Television,” and the introspective “Cell Phone” offered welcome detours for die-hard listeners. Mid-show, the tempo dropped for a surprise, lights-down, almost-whispered rendition of “Hammers and Strings (A Lullaby)”—performed nearly a cappella, save for a few plaintive piano chords. It was McMahon’s first time revisiting the lullaby in years, and the silence that followed its last note spoke louder than any applause. The final stretch was a one-two-three knockout: “I’m Ready,” “The Resolution,” and the soaring “Dark Blue,” each chorus louder than the last. After a brief exit, the band returned beneath a single spotlight for the encore. McMahon tipped his cap to the tour’s namesake, easing into the gentle “Restless Dream” before the full ensemble erupted into the sprawling suite “MFEO: Pt. 1 — Made For Each Other / Pt. 2 — You Can Breathe,” turning the title track into a communal vow to keep moving forward together. Twenty years on, Andrew McMahon and company showed how to honor a past without getting trapped in it: by laughing at the room you’re in, risking a fragile ballad in the middle of the party, and playing every song like it still belongs to today.

Shakira brings the 'Las Mujeres Ya No Lloran World Tour' to Atlanta

By Matt Christine • June 4, 2025
After a rocky start to her U.S. leg, with technical issues forcing the postponement of both the Washington, D.C. and Boston dates, Shakira delivered an electrifying, glitch-free performance in Atlanta that more than made up for the delays. The sold-out show at State Farm Arena proved why the Colombian superstar remains a force in global pop music: it was a spectacle of raw emotion, razor-sharp choreography, and dazzling stagecraft. Every moment felt polished and purposeful, yet deeply personal, a balance only a veteran performer like Shakira can pull off. The night opened with La Fuerte, a powerful declaration of intent that set the tone: this tour is about resilience, evolution, and feminine power. With minimal delay, she launched into a fierce rendition of GIRL LIKE ME, originally with the Black Eyed Peas, injecting it with her signature moves and vocal style. The audience, many of whom were adorned with glittering wolf ears and flashing LED bracelets, responded instantly, roaring as she transitioned into a nostalgic medley of Las de la intuición and Estoy aquí. It was a clever juxtaposition—early-career Shakira meeting her modern self, both artists occupying the stage in harmony. One of the most emotionally potent sequences came with Empire blending into Inevitable, where her vocals took on an operatic, almost volcanic intensity. The screen behind her exploded with elemental visuals—lava flows, crashing waves—mirroring the emotional crescendo on stage. This wasn’t just a concert; it was a catharsis. Later, Acróstico offered a softer moment, featuring a touching video of her children Sasha and Milan singing along, which visibly moved many in the crowd. You could hear a pin drop as Shakira sat on a stool, wiping away tears mid-performance. In terms of showmanship, the middle of the setlist was where Shakira proved her mettle. Copa Vacía, La Bicicleta, and La Tortura formed a seamless trinity of reggaeton and cumbia-infused pop, each song melting into the next with smooth transitions and high-energy dance breaks. She momentarily disappeared backstage during Chantaje, only to reemerge in a vibrant new costume and launch into a salsa version of the hit that transformed the entire arena into a nightclub. By the time she reached Whenever, Wherever, complete with a dramatic belly dance introduction using knives, Shakira had the entire arena in the palm of her hand. Her hips truly didn’t lie, and neither did the crowd, erupting into a thunderous sing-along. That energy spilled right into Waka Waka (This Time for Africa), which featured a thrilling Champeta breakdown and pulsating rhythms that was the infectious anthem of the 2010 World Cup. Shakira left the stage like a mythic figure—part woman, part legend—having proven once again that she isn’t just a performer. She’s a storyteller, a mother, a rebel, and above all, a she-wolf with a story still very much in motion.

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.