The Maine return to XL Live in Harrisburg on 'XOXO Tour'

April 4, 2022

Less than a year after The Maine rolled through XL Live in Harrisburg supporting All Time Low the band returned to the venue for a headline performance produced by Harrisburg University Presents.

The Maine are no strangers to the touring circuit and have established themselves as mainstays in many markets across the country since they burst onto the scene in 2007. With each passing touring the band has continued to refine their live concert in experience into the well polished product it is today. The band is currently on the road supporting the 2021 release of 'XOXO: From Love and Anxiety in Real Time' as their return to Harrisburg marked the rough midpoint of this tour for the band. While in many markets a return this soon to the stage of XL Live would be unconventional, The Maine proved that the market was ready for more as the band packed the venue on a Thursday night.


Harrisburg University Presents has fostered the city into a true alternative market on the East coast and The Maine's late March 31, 2022 marked another milestone for the rising star promoters and venue in Harrisburg. The band's massive production amount of product filled the stage and the band's arrival was met with a burst of lighting fit for an arena.

The intimate stage at XL Live allowed The Maine to be even closer to the fans which made for an incredible duality through out the show as the band performed to a full dance floor only feet away from the first row and barely much higher than any of them. After kicking the night of strong with their most recent single "Sticky," the band moved quickly into an 18 song setlist that kept the crowd dancing and surfers coming over the barricade through out the performance. John O'Callaghan was kept busy all night as he made an effort to fist bump as many crowd surfers as he could when security was catching them at the barricade, all while delivering a stunning vocal performance. Alongside him on the tiny stage of XL Live, Jared Monaco and Garrett Nickelsen worked the crowd through out each song and somehow managed to avoid colliding into each other as they ran from side to side while playing.


Fans of all eras of The Maine were elated with the band's career spanning setlist in Harrisburg as mainstay favorites made the final list alongside new material which even included "Loved You A Little" featuring Charlotte Sands, who is out on tour supporting the band on this run. The Maine have been busy since their return to touring following the pandemic and are set to continue an upward trend as the band is set for some major appearances yet in 2022.

From the intimate stage of XL Live to their upcoming festival dates on the When We Were Young Festival in Las Vegas amongst emo and scene royalty, The Maine continue to prove that they are more relevant than ever in a genre crowded with competition. The 'XOXO Tour' hit all the marks of an incredible night out for casual and diehard fans alike as the band's technical performance led the way during the night with a stunning performance. From the fever inducing chorus of "Diet Soda Society" to the deafening sing a long on "Black Butterflies and Déjà Vu;" The Maine delivered (once again) for their fans in Pennsylvania. The performance was elevated even higher when coupled with their masterful usage of lighting and visual effects across the stage during the night that few bands have brought to the venue.


Harrisburg University Presents and XL Live out did themselves once again by booking this one, one can only imagine what they'll have in store next for fans in the market. One thing however is certain, 2022 is the year of The Maine and it is only just getting started for them. We are all just lucky to be a part of it with this intimate and one of a kind show on their tour.

Article Written By:

Matt Christine
By Matt Christine September 16, 2025
Stone Temple Pilots’ return to Pennsylvania for RockFest was more than just another stop on tour as the band isn't on the road promoting a new album or anything particular at the moment making this one off show truly special. Their festival headline slot was a true celebration of a band that has not only endured but continues to thrive. After more than twenty years of music, their headline performance in Grantville showed that Stone Temple Pilots are still writing their best chapters. When Jeff Gutt first stepped in as lead singer, fans were curious about how he would fill the shoes of such an iconic role of those who came before him. A few years and countless shows later, there’s no longer any question. Gutt has evolved into the frontman the band always seemed to be waiting for - powerful, confident, and endlessly engaging. His vocals are as sharp and reliable as ever, but his presence has grown into something magnetic. Whether pacing the stage with fiery energy or locking eyes with fans in the crowd, Gutt now owns every moment in the spotlight. It has reached a point where it is harder to imagine Stone Temple Pilots without Gutt versus any version prior to his arrival with the band. As always, Robert and Dean DeLeo provided the backbone of STP’s unmistakable sound. Their tight musicianship and playful energy were the perfect counterbalance to Gutt’s intensity as he sprinted around the stage (and even jump off into the crowd at one point). The brothers looked like they were having just as much fun as the crowd, trading riffs, smiles, and moments of pure musical joy throughout the night. It was a reminder that their chemistry is the true heartbeat of this band, and it’s never sounded stronger. The night was a journey through the full scope of Stone Temple Pilots’ career. Fans were treated to a perfect balance of old favorites, deeper cuts, and fresh material. “Big Bang Baby” was a standout moment of the set early on, soaring with Gutt’s vocals. Hearing the classics re-energized while newer songs slid in seamlessly made the set feel both nostalgic and fresh at the same time. If this RockFest performance was any indication, Stone Temple Pilots are in the middle of an exciting new era. For long-time listeners and new fans alike, that means one thing: it’s time to get ready for more shows, more songs, and more unforgettable nights like this one. What is next for Stone Temple Pilots may be up in the air but one thing is for certain, they remain one of the tightest live bands in the genre.
By Matt Christine August 11, 2025
Some nights, live music isn’t just entertainment—it’s a shot of adrenaline straight to the chest. August 9th at the Freedom Mortgage Pavilion was one of those nights, as The Ghost Inside, Halestorm, and Volbeat delivered three hours of catharsis, chaos, and pure rock muscle to a sold-out Camden crowd. The Ghost Inside wasted zero time easing anyone in. They came out swinging with breakdowns that rattled ribcages and choruses that felt less like sing-alongs and more like war cries. Frontman Jonathan Vigil took a beat mid-set to talk about the band’s comeback after their horrific bus crash—a moment that dropped the temperature to goosebump level before the next riff lit the fuse again. Watching them was like watching a fighter go twelve rounds and still grin through the blood. Halestorm followed with a masterclass in arena rock swagger. Lzzy Hale’s voice isn’t just powerful—it’s volcanic, equal parts precision and primal force. She could hit the high notes with a clarity that cut through the humid August air and still roar with enough grit to send shockwaves through the pit. The set was a perfect cocktail: the usual suspects like “I Miss the Misery” and “Freak Like Me,” plus fresh cuts from their new album Everest, which were greeted like instant anthems. The hometown love was undeniable—Philly-area fans roared like they’d been waiting all year for this, and the band returned the favor with a performance that felt as big as the sky over Camden. Then came Volbeat, and any lingering doubt about who owned the night evaporated. Michael Poulsen has the charm of a lounge singer and the punch of a heavyweight fighter, and his band’s mash-up of groove metal, punk snarl, and rockabilly swing is still one of the most infectious things in modern rock. “Lola Montez” had the place bouncing, “The Devil’s Bleeding Crown” hit like a wrecking ball, and their take on Sabbath’s “Children of the Grave” landed like a love letter signed in distortion. By the end, the place was a sweaty, smiling mess—proof that sometimes three bands with very different weapons can combine forces into a single, unforgettable assault. Camden may never be called “scenic” with a straight face, but on this night, under the stage lights and the ringing in our ears, it was damn near beautiful.
By Matt Christine July 22, 2025
There are few tours as dynamic on the road this summer as The Summer of Loud tour and somehow this pyro heavy mega tour made it's way to the most unlikely stop in Pennsylvania as it touched down at the 260th Historic York Fair - a country fair mainstay that is more likely to have some country twang than a dozen mosh pits and crowd surfers. As America’s oldest fair, dating back to 1765, the York Fair has hosted everything from tractor pulls to livestock shows to fried Oreos. But this year? It became a coliseum of breakdowns, blast beats, and crowd roars thanks to the Summer of Loud Festival. The historic fairgrounds were transformed into a headbanger’s haven, echoing the legendary chaos of past Mayhem Fests. The rotating lineup of the tour was at full force, and for this stop, we were treated to Dark Divine, Alpha Wolf, The Devil Wears Prada, The Amity Affliction, I Prevail, Beartooth, Parkway Drive, and the mighty Killswitch Engage. Eight hours. No breaks. Just pure, relentless metalcore magic. However, for a festival of this magnitude, the York Fair security was absolutely not up to par. Fans were frequently dropped while crowd surfing, mosh pit safety was neglected, and response times to injured attendees were embarrassingly slow. Multiple crowd members complained about being shoved back into the pit after being pulled from it, visibly disoriented. It wasn’t just disappointing—it was dangerous. And some bands noticed… loudly. Kicking off the mayhem was Dark Divine, a fast-rising force in the world of theatrical metalcore. With a sound that blends haunting melodies, crushing breakdowns, and a visual aesthetic straight from a horror flick, these guys turned heads early on. Frontman Anthony Martinez prowled the stage with purpose, backed by a tight, atmospheric set that included fan favorites like “Deadly Fun” and “Halloweentown.” For a band still on the rise, they played like seasoned vets—and set the tone for a day of pure chaos. Then came the Aussies in Alpha Wolf, and with them came an avalanche of sound. “Akudama” was a war cry that blew the roof off the barn—figuratively, of course. “Creep” was a brutal wall of noise that had the pit convulsing. Lochie Keogh looked like a man possessed, pacing the stage like he was ready to pounce. Their set was raw, hostile, and unforgettable. The Devil Wears Prada hit the York stage with a blend of metalcore muscle and emotional weight. Mike Hranica’s intensity was unmatched—every scream felt like a release. Their tribute to the late Dave Shapiro was heartfelt and beautiful, a rare moment of quiet in an otherwise relentless set as Shapiro's legacy loomed large over this tour as the Summer of Loud was one of his final tours booked/announced currently. Next up The Amity Affliction brought their signature blend of melody and brutality to the crowd, and the audience was here for it. Joel Birch wasn't slowed down at all by his broken ankle and had a sea of fans belting out the lyrics during “Like Love,” and his screams during “Pittsburgh” could be heard all the way across the fairgrounds near the deep-fried candy stand. I Prevail hit the stage with a non stop burst of pyro with “Bow Down” and kept the firestorm rolling through “Hurricane.” Their tribute to Dave Shapiro and their now-iconic cover of Taylor Swift’s “Blank Space” brought big crowd reactions as did their comical country fair face paint that they all had done before hitting the stage. Their set was bombastic, emotional, and perfectly executed. And then there was Beartooth. From the first scream, Caleb Shomo was a man on fire—but not just from the music. Throughout the entire set, he repeatedly called out security for dropping fans, ignoring crowd injuries, and failing to control the barricade area. “Do your job and catch people!” he shouted mid-song, his voice frustrated with anger and at a guard who clearly snarked back at him in the barricade. The security's short comings didn't prevent Shomo and Beartooth from delivering the best set of the day but it was certainly a frustrating undertone during their performance. Things got so tense that by the end of their set, crew members had to hold Caleb back as he stormed the edge of the stage, visibly furious about how fans were being handled. It was clear: this was more than just a show for him—it was a mission to protect his people. And while his performance was, as always, tight and passionate, it was the rage that left the biggest mark. What better way to follow that intensity than with the godfathers of modern metalcore? Killswitch Engage were absolute professionals, blasting through “The End of Heartache” and “Holy Diver” with surgical precision. Jesse Leach remains a powerhouse of presence, spending as much time connecting with fans as he does belting out anthems. Finally, Parkway Drive lit up the York Fair like the 4th of July with the most theatrical, explosive set of the day. Winston McCall stalked the stage like a general in war, commanding the masses through “Glitch,” “Prey,” and “Crushed.” But the highlight? The spinning drum cage with pyrotechnics erupting like a volcanic finale. It wasn’t just a show—it was a spectacle. Parkway Drive are the kings of controlled chaos, and they reminded everyone why. The 260th York Fair just got a new page in its long history—one written in sweat, distortion, and cathartic screams. While security needs a major overhaul before next year, the music, the passion, and the unity of the fans made this a day for the history books. Let’s do it again next year—but maybe hire security that knows a mosh pit from a hay bale.