'The Revolution's Live Tour' hits Hershey with Shinedown, The Pretty Reckless and Diamante

April 19, 2022

Shinedown's return to Pennsylvania on their Spring 2022 headlining tour arrived just weeks after the band made history with "Planet Zero" becoming their 18th #1 single - further cementing their legacy as the greatest rock band of the generation.

Over the past decade Shinedown has consistently risen to the top of the rock charts and outshined their peers with each release the band puts out and subsequently on the tour supporting. Across this time period the band has sold over 10 million records, released over 20 singles that have all charted in the top 5 and as of 2022 made history as they pulled ahead of the pack to be ranked #1 by Billboard on the Greatest of All Time Mainstreams Rock Artists. Shinedown is currently back on the road on 'The Revolution's Live Tour' and celebrating the recent success that their single "Planet Zero" has brought them despite their upcoming album of the same name being delayed until July due to some production issues. This small delay hasn't impacted the tour as multiple dates, including their stop at the Giant Center in Hershey, were sold out on one of their biggest and most production tours to date in their career.


Joining Shinedown on 'The Revolution's Live Tour' were the established and increasingly popular special guest The Pretty Reckless helmed by Taylor Momsen and the relatively newcomer to the scene, Diamante. Both support artists shared and utilized the massive stage that Shinedown has constructed for this tour which gave them an incredible amount of production to work into their performance as well as usage of the massive thrust that cut the general admission crowd of the venue in half. Diamante was the first to take to the stage and did so with a flash as her diamond-esque jumpsuit burst to life with light as the spotlights illuminated her arrival in Hershey.

The 25 year old rocker is no stranger to the touring circuit and has built a strong reputation with her live performances early in her career after being on the road previously with Three Days Grace and more. Diamante's 7 song set gave the crowd a good taste of her style of rock n' roll and she had the crowd on the floor moving early with a few heavier tracks during the performance. Fans hit the concourse following her set in hopes to grab a selfie with her at the merch booth after the set and a good number of them picked up some swag while they were there as well as Diamante made new fans in Hershey that night. While it may be awhile before she return's to the Giant Center on her own as a headliner it is safe to say based on her performance that she's going to be continuing to make a name for herself in the rock world as she already has in just a few brief years.


Following a quick set change of seemingly less than 15 minutes; the massive stage was flooded with haze and dimly illuminate with purple lighting as The Pretty Reckless logo slowly faded onto the LED screens. The crowd's anticipation for the start of this support set was the first indication that the show that night Hershey was going to be a very special one for all of the band's on the tour. Taylor Momsen was greeted by the roar of thousands as The Pretty Reckless kicked their set off with stellar cover of Soundgarden's "Loud Love." A fitting tribute to the great Chris Cornell and a a respectful to the last chapter in the band's touring history as they were out on the road with Soundgarden when Cornell tragically passed.

Taylor Momsen is a veteran artist at this point when it comes to live performances and the stage set up on 'The Revolution's Live Tour' is among the biggest the band has ever performed on. The increased space gave Momsen a lot of real-estate to perform in and allowed her to command the crowd as the true front woman she is with a masterful performance. Through out the band's 10 song set Momsen made her way down the thrust constantly, slid across a large metal section in the middle and even crawled along the floor at one point all while delivering impressive vocal performances. Supporting her were the incredible bandmates she has shared the stage with in The Pretty Reckless for the last few years including guitarist Ben Phillips who laid down multiple flawless guitar riffs during the set.


Shinedown arrived to the stage shortly past 9PM and their massive stage production slowly began to flicker to life. Prior to the band's dramatic walk out the sold out arena was transported back to 2019 as a video played on their massive video wall showcasing the tail end of the 'Attention! Attention! Tour.' However that video, much like our lives following, was cut short as it ended 2020 and the pandemic began - from there things progressed until 2021 when the video (and the night) took a thematic turn. Cryptic alien symbols flashed on the screen, an AI appeared and the Giant Center was taken from 2022 and transported to "Planet Zero" as Shinedown emerged from behind their video wall and kicked the show with their new song "The Saints of Violence and Innuendo."

Through 19 songs Shinedown reminded the massive crowd exactly how they became the best and most important rock band of the century - their artistry. With their massive catalog of commercial singles, fan favorites and stellar deep cuts Shinedown has more material to craft a setlist from then any artist touring yet somehow they landed on a perfect mix for 'The Revolution's Live Tour.' Their record breaking single "Planet Zero" made in early appearance in the set as did a yet to be released track "Daylight" as the band focused heavily on the material that got them to the massive stage they are performing on today.


Brent Smith yet again delivered a masterful vocal performance across all songs but shined brightest on the heavy "Monsters" while pyro engulfed the stage around him - the soaring ballad of "Get Up" was a close second to this epic moment. Aside him Zach Myers continued to do what he does best and shred on guitar all night long, in addition to being the mastermind who designed their current tour production as was revealed later in the show. Eric Bass and Barry Kerch provided the crucial heavy backbone to the performance and when all combined fans were treated to the masterpiece of live performance that is a Shinedown concert. After 18 number one singles it has become clearer that we are living in an era of rock that may never be repeated and there is no doubt that Shinedown's fans have embraced as they gave the band all of their energy during the set.


With the proper release of the full length "Planet Zero" still on the horizon there is no doubt that Shinedown will continue to shatter the ceiling of the records they are setting as they truly exist on a planet of their own in rock n' roll. Pennsylvania fans were treated to a once in a lifetime performance at the Giant Center with this show and are lucky enough that the tour will circle back through Camden, New Jersey later this year on the second leg. Shinedown has proven they not only deserve the title of "best rock band of all time" but also that they aren't done yet as they have entered the most creative and innovate era of their legacy. Get ready - "Planet Zero" is coming up just around the corner.

Article Written By:

Matt Christine

Stone Temple Pilots return to Pennsylvania to headline RockFest

By Matt Christine • September 16, 2025
Stone Temple Pilots’ return to Pennsylvania for RockFest was more than just another stop on tour as the band isn't on the road promoting a new album or anything particular at the moment making this one off show truly special. Their festival headline slot was a true celebration of a band that has not only endured but continues to thrive. After more than twenty years of music, their headline performance in Grantville showed that Stone Temple Pilots are still writing their best chapters. When Jeff Gutt first stepped in as lead singer, fans were curious about how he would fill the shoes of such an iconic role of those who came before him. A few years and countless shows later, there’s no longer any question. Gutt has evolved into the frontman the band always seemed to be waiting for - powerful, confident, and endlessly engaging. His vocals are as sharp and reliable as ever, but his presence has grown into something magnetic. Whether pacing the stage with fiery energy or locking eyes with fans in the crowd, Gutt now owns every moment in the spotlight. It has reached a point where it is harder to imagine Stone Temple Pilots without Gutt versus any version prior to his arrival with the band. As always, Robert and Dean DeLeo provided the backbone of STP’s unmistakable sound. Their tight musicianship and playful energy were the perfect counterbalance to Gutt’s intensity as he sprinted around the stage (and even jump off into the crowd at one point). The brothers looked like they were having just as much fun as the crowd, trading riffs, smiles, and moments of pure musical joy throughout the night. It was a reminder that their chemistry is the true heartbeat of this band, and it’s never sounded stronger. The night was a journey through the full scope of Stone Temple Pilots’ career. Fans were treated to a perfect balance of old favorites, deeper cuts, and fresh material. “Big Bang Baby” was a standout moment of the set early on, soaring with Gutt’s vocals. Hearing the classics re-energized while newer songs slid in seamlessly made the set feel both nostalgic and fresh at the same time. If this RockFest performance was any indication, Stone Temple Pilots are in the middle of an exciting new era. For long-time listeners and new fans alike, that means one thing: it’s time to get ready for more shows, more songs, and more unforgettable nights like this one. What is next for Stone Temple Pilots may be up in the air but one thing is for certain, they remain one of the tightest live bands in the genre.

Volbeat, Halestorm & The Ghost Inside bring 'The Greatest of All Tours' to Camden

By Matt Christine • August 11, 2025
Some nights, live music isn’t just entertainment—it’s a shot of adrenaline straight to the chest. August 9th at the Freedom Mortgage Pavilion was one of those nights, as The Ghost Inside, Halestorm, and Volbeat delivered three hours of catharsis, chaos, and pure rock muscle to a sold-out Camden crowd. The Ghost Inside wasted zero time easing anyone in. They came out swinging with breakdowns that rattled ribcages and choruses that felt less like sing-alongs and more like war cries. Frontman Jonathan Vigil took a beat mid-set to talk about the band’s comeback after their horrific bus crash—a moment that dropped the temperature to goosebump level before the next riff lit the fuse again. Watching them was like watching a fighter go twelve rounds and still grin through the blood. Halestorm followed with a masterclass in arena rock swagger. Lzzy Hale’s voice isn’t just powerful—it’s volcanic, equal parts precision and primal force. She could hit the high notes with a clarity that cut through the humid August air and still roar with enough grit to send shockwaves through the pit. The set was a perfect cocktail: the usual suspects like “I Miss the Misery” and “Freak Like Me,” plus fresh cuts from their new album Everest, which were greeted like instant anthems. The hometown love was undeniable—Philly-area fans roared like they’d been waiting all year for this, and the band returned the favor with a performance that felt as big as the sky over Camden. Then came Volbeat, and any lingering doubt about who owned the night evaporated. Michael Poulsen has the charm of a lounge singer and the punch of a heavyweight fighter, and his band’s mash-up of groove metal, punk snarl, and rockabilly swing is still one of the most infectious things in modern rock. “Lola Montez” had the place bouncing, “The Devil’s Bleeding Crown” hit like a wrecking ball, and their take on Sabbath’s “Children of the Grave” landed like a love letter signed in distortion. By the end, the place was a sweaty, smiling mess—proof that sometimes three bands with very different weapons can combine forces into a single, unforgettable assault. Camden may never be called “scenic” with a straight face, but on this night, under the stage lights and the ringing in our ears, it was damn near beautiful.

Summer of Loud Turns the Historic York Fair Into a Full-Throttle Metal Mayhem

By Matt Christine • July 22, 2025
There are few tours as dynamic on the road this summer as The Summer of Loud tour and somehow this pyro heavy mega tour made it's way to the most unlikely stop in Pennsylvania as it touched down at the 260th Historic York Fair - a country fair mainstay that is more likely to have some country twang than a dozen mosh pits and crowd surfers. As America’s oldest fair, dating back to 1765, the York Fair has hosted everything from tractor pulls to livestock shows to fried Oreos. But this year? It became a coliseum of breakdowns, blast beats, and crowd roars thanks to the Summer of Loud Festival. The historic fairgrounds were transformed into a headbanger’s haven, echoing the legendary chaos of past Mayhem Fests. The rotating lineup of the tour was at full force, and for this stop, we were treated to Dark Divine, Alpha Wolf, The Devil Wears Prada, The Amity Affliction, I Prevail, Beartooth, Parkway Drive, and the mighty Killswitch Engage. Eight hours. No breaks. Just pure, relentless metalcore magic. However, for a festival of this magnitude, the York Fair security was absolutely not up to par. Fans were frequently dropped while crowd surfing, mosh pit safety was neglected, and response times to injured attendees were embarrassingly slow. Multiple crowd members complained about being shoved back into the pit after being pulled from it, visibly disoriented. It wasn’t just disappointing—it was dangerous. And some bands noticed… loudly. Kicking off the mayhem was Dark Divine, a fast-rising force in the world of theatrical metalcore. With a sound that blends haunting melodies, crushing breakdowns, and a visual aesthetic straight from a horror flick, these guys turned heads early on. Frontman Anthony Martinez prowled the stage with purpose, backed by a tight, atmospheric set that included fan favorites like “Deadly Fun” and “Halloweentown.” For a band still on the rise, they played like seasoned vets—and set the tone for a day of pure chaos. Then came the Aussies in Alpha Wolf, and with them came an avalanche of sound. “Akudama” was a war cry that blew the roof off the barn—figuratively, of course. “Creep” was a brutal wall of noise that had the pit convulsing. Lochie Keogh looked like a man possessed, pacing the stage like he was ready to pounce. Their set was raw, hostile, and unforgettable. The Devil Wears Prada hit the York stage with a blend of metalcore muscle and emotional weight. Mike Hranica’s intensity was unmatched—every scream felt like a release. Their tribute to the late Dave Shapiro was heartfelt and beautiful, a rare moment of quiet in an otherwise relentless set as Shapiro's legacy loomed large over this tour as the Summer of Loud was one of his final tours booked/announced currently. Next up The Amity Affliction brought their signature blend of melody and brutality to the crowd, and the audience was here for it. Joel Birch wasn't slowed down at all by his broken ankle and had a sea of fans belting out the lyrics during “Like Love,” and his screams during “Pittsburgh” could be heard all the way across the fairgrounds near the deep-fried candy stand. I Prevail hit the stage with a non stop burst of pyro with “Bow Down” and kept the firestorm rolling through “Hurricane.” Their tribute to Dave Shapiro and their now-iconic cover of Taylor Swift’s “Blank Space” brought big crowd reactions as did their comical country fair face paint that they all had done before hitting the stage. Their set was bombastic, emotional, and perfectly executed. And then there was Beartooth. From the first scream, Caleb Shomo was a man on fire—but not just from the music. Throughout the entire set, he repeatedly called out security for dropping fans, ignoring crowd injuries, and failing to control the barricade area. “Do your job and catch people!” he shouted mid-song, his voice frustrated with anger and at a guard who clearly snarked back at him in the barricade. The security's short comings didn't prevent Shomo and Beartooth from delivering the best set of the day but it was certainly a frustrating undertone during their performance. Things got so tense that by the end of their set, crew members had to hold Caleb back as he stormed the edge of the stage, visibly furious about how fans were being handled. It was clear: this was more than just a show for him—it was a mission to protect his people. And while his performance was, as always, tight and passionate, it was the rage that left the biggest mark. What better way to follow that intensity than with the godfathers of modern metalcore? Killswitch Engage were absolute professionals, blasting through “The End of Heartache” and “Holy Diver” with surgical precision. Jesse Leach remains a powerhouse of presence, spending as much time connecting with fans as he does belting out anthems. Finally, Parkway Drive lit up the York Fair like the 4th of July with the most theatrical, explosive set of the day. Winston McCall stalked the stage like a general in war, commanding the masses through “Glitch,” “Prey,” and “Crushed.” But the highlight? The spinning drum cage with pyrotechnics erupting like a volcanic finale. It wasn’t just a show—it was a spectacle. Parkway Drive are the kings of controlled chaos, and they reminded everyone why. The 260th York Fair just got a new page in its long history—one written in sweat, distortion, and cathartic screams. While security needs a major overhaul before next year, the music, the passion, and the unity of the fans made this a day for the history books. Let’s do it again next year—but maybe hire security that knows a mosh pit from a hay bale.