'The Revolution's Live Tour' hits Hershey with Shinedown, The Pretty Reckless and Diamante

April 19, 2022

Shinedown's return to Pennsylvania on their Spring 2022 headlining tour arrived just weeks after the band made history with "Planet Zero" becoming their 18th #1 single - further cementing their legacy as the greatest rock band of the generation.

Over the past decade Shinedown has consistently risen to the top of the rock charts and outshined their peers with each release the band puts out and subsequently on the tour supporting. Across this time period the band has sold over 10 million records, released over 20 singles that have all charted in the top 5 and as of 2022 made history as they pulled ahead of the pack to be ranked #1 by Billboard on the Greatest of All Time Mainstreams Rock Artists. Shinedown is currently back on the road on 'The Revolution's Live Tour' and celebrating the recent success that their single "Planet Zero" has brought them despite their upcoming album of the same name being delayed until July due to some production issues. This small delay hasn't impacted the tour as multiple dates, including their stop at the Giant Center in Hershey, were sold out on one of their biggest and most production tours to date in their career.


Joining Shinedown on 'The Revolution's Live Tour' were the established and increasingly popular special guest The Pretty Reckless helmed by Taylor Momsen and the relatively newcomer to the scene, Diamante. Both support artists shared and utilized the massive stage that Shinedown has constructed for this tour which gave them an incredible amount of production to work into their performance as well as usage of the massive thrust that cut the general admission crowd of the venue in half. Diamante was the first to take to the stage and did so with a flash as her diamond-esque jumpsuit burst to life with light as the spotlights illuminated her arrival in Hershey.

The 25 year old rocker is no stranger to the touring circuit and has built a strong reputation with her live performances early in her career after being on the road previously with Three Days Grace and more. Diamante's 7 song set gave the crowd a good taste of her style of rock n' roll and she had the crowd on the floor moving early with a few heavier tracks during the performance. Fans hit the concourse following her set in hopes to grab a selfie with her at the merch booth after the set and a good number of them picked up some swag while they were there as well as Diamante made new fans in Hershey that night. While it may be awhile before she return's to the Giant Center on her own as a headliner it is safe to say based on her performance that she's going to be continuing to make a name for herself in the rock world as she already has in just a few brief years.


Following a quick set change of seemingly less than 15 minutes; the massive stage was flooded with haze and dimly illuminate with purple lighting as The Pretty Reckless logo slowly faded onto the LED screens. The crowd's anticipation for the start of this support set was the first indication that the show that night Hershey was going to be a very special one for all of the band's on the tour. Taylor Momsen was greeted by the roar of thousands as The Pretty Reckless kicked their set off with stellar cover of Soundgarden's "Loud Love." A fitting tribute to the great Chris Cornell and a a respectful to the last chapter in the band's touring history as they were out on the road with Soundgarden when Cornell tragically passed.

Taylor Momsen is a veteran artist at this point when it comes to live performances and the stage set up on 'The Revolution's Live Tour' is among the biggest the band has ever performed on. The increased space gave Momsen a lot of real-estate to perform in and allowed her to command the crowd as the true front woman she is with a masterful performance. Through out the band's 10 song set Momsen made her way down the thrust constantly, slid across a large metal section in the middle and even crawled along the floor at one point all while delivering impressive vocal performances. Supporting her were the incredible bandmates she has shared the stage with in The Pretty Reckless for the last few years including guitarist Ben Phillips who laid down multiple flawless guitar riffs during the set.


Shinedown arrived to the stage shortly past 9PM and their massive stage production slowly began to flicker to life. Prior to the band's dramatic walk out the sold out arena was transported back to 2019 as a video played on their massive video wall showcasing the tail end of the 'Attention! Attention! Tour.' However that video, much like our lives following, was cut short as it ended 2020 and the pandemic began - from there things progressed until 2021 when the video (and the night) took a thematic turn. Cryptic alien symbols flashed on the screen, an AI appeared and the Giant Center was taken from 2022 and transported to "Planet Zero" as Shinedown emerged from behind their video wall and kicked the show with their new song "The Saints of Violence and Innuendo."

Through 19 songs Shinedown reminded the massive crowd exactly how they became the best and most important rock band of the century - their artistry. With their massive catalog of commercial singles, fan favorites and stellar deep cuts Shinedown has more material to craft a setlist from then any artist touring yet somehow they landed on a perfect mix for 'The Revolution's Live Tour.' Their record breaking single "Planet Zero" made in early appearance in the set as did a yet to be released track "Daylight" as the band focused heavily on the material that got them to the massive stage they are performing on today.


Brent Smith yet again delivered a masterful vocal performance across all songs but shined brightest on the heavy "Monsters" while pyro engulfed the stage around him - the soaring ballad of "Get Up" was a close second to this epic moment. Aside him Zach Myers continued to do what he does best and shred on guitar all night long, in addition to being the mastermind who designed their current tour production as was revealed later in the show. Eric Bass and Barry Kerch provided the crucial heavy backbone to the performance and when all combined fans were treated to the masterpiece of live performance that is a Shinedown concert. After 18 number one singles it has become clearer that we are living in an era of rock that may never be repeated and there is no doubt that Shinedown's fans have embraced as they gave the band all of their energy during the set.


With the proper release of the full length "Planet Zero" still on the horizon there is no doubt that Shinedown will continue to shatter the ceiling of the records they are setting as they truly exist on a planet of their own in rock n' roll. Pennsylvania fans were treated to a once in a lifetime performance at the Giant Center with this show and are lucky enough that the tour will circle back through Camden, New Jersey later this year on the second leg. Shinedown has proven they not only deserve the title of "best rock band of all time" but also that they aren't done yet as they have entered the most creative and innovate era of their legacy. Get ready - "Planet Zero" is coming up just around the corner.

Article Written By:

Matt Christine

Jack's Mannequin return to Philadelphia for another SOLD OUT show

By Matt Christine • June 13, 2025
On June 8, Jack’s Mannequin swept into the Fillmore Philadelphia for the hometown stop of their Made For Each Other 20th-anniversary tour, turning the storied ballroom into a reunion between new Andrew McMahon fans from his solo era and the fans who grew up with his songs in Jack's Mannequin. A burst of lights and the band made their way to their places on set as the massive LED screens behind them flicked to life with the roar of the crowd—almost before the crowd could catch its breath—the band dove head-first into “Bruised,” instantly launching a full-room sing-along for the first time of the night. The family style sing-alongs would continue all night long because a Jack's Mannequin show is more than just a concert, it's a gathering of fans of all walks of life. Rather than lean solely on radio favorites, McMahon built a career-spanning arc that kept veterans and newcomers guessing. Early standouts “The Mixed Tape” and “Amy, I” landed with arena-sized fervor, while deeper cuts like “Spinning,” “Television,” and the introspective “Cell Phone” offered welcome detours for die-hard listeners. Mid-show, the tempo dropped for a surprise, lights-down, almost-whispered rendition of “Hammers and Strings (A Lullaby)”—performed nearly a cappella, save for a few plaintive piano chords. It was McMahon’s first time revisiting the lullaby in years, and the silence that followed its last note spoke louder than any applause. The final stretch was a one-two-three knockout: “I’m Ready,” “The Resolution,” and the soaring “Dark Blue,” each chorus louder than the last. After a brief exit, the band returned beneath a single spotlight for the encore. McMahon tipped his cap to the tour’s namesake, easing into the gentle “Restless Dream” before the full ensemble erupted into the sprawling suite “MFEO: Pt. 1 — Made For Each Other / Pt. 2 — You Can Breathe,” turning the title track into a communal vow to keep moving forward together. Twenty years on, Andrew McMahon and company showed how to honor a past without getting trapped in it: by laughing at the room you’re in, risking a fragile ballad in the middle of the party, and playing every song like it still belongs to today.

Shakira brings the 'Las Mujeres Ya No Lloran World Tour' to Atlanta

By Matt Christine • June 4, 2025
After a rocky start to her U.S. leg, with technical issues forcing the postponement of both the Washington, D.C. and Boston dates, Shakira delivered an electrifying, glitch-free performance in Atlanta that more than made up for the delays. The sold-out show at State Farm Arena proved why the Colombian superstar remains a force in global pop music: it was a spectacle of raw emotion, razor-sharp choreography, and dazzling stagecraft. Every moment felt polished and purposeful, yet deeply personal, a balance only a veteran performer like Shakira can pull off. The night opened with La Fuerte, a powerful declaration of intent that set the tone: this tour is about resilience, evolution, and feminine power. With minimal delay, she launched into a fierce rendition of GIRL LIKE ME, originally with the Black Eyed Peas, injecting it with her signature moves and vocal style. The audience, many of whom were adorned with glittering wolf ears and flashing LED bracelets, responded instantly, roaring as she transitioned into a nostalgic medley of Las de la intuición and Estoy aquí. It was a clever juxtaposition—early-career Shakira meeting her modern self, both artists occupying the stage in harmony. One of the most emotionally potent sequences came with Empire blending into Inevitable, where her vocals took on an operatic, almost volcanic intensity. The screen behind her exploded with elemental visuals—lava flows, crashing waves—mirroring the emotional crescendo on stage. This wasn’t just a concert; it was a catharsis. Later, Acróstico offered a softer moment, featuring a touching video of her children Sasha and Milan singing along, which visibly moved many in the crowd. You could hear a pin drop as Shakira sat on a stool, wiping away tears mid-performance. In terms of showmanship, the middle of the setlist was where Shakira proved her mettle. Copa Vacía, La Bicicleta, and La Tortura formed a seamless trinity of reggaeton and cumbia-infused pop, each song melting into the next with smooth transitions and high-energy dance breaks. She momentarily disappeared backstage during Chantaje, only to reemerge in a vibrant new costume and launch into a salsa version of the hit that transformed the entire arena into a nightclub. By the time she reached Whenever, Wherever, complete with a dramatic belly dance introduction using knives, Shakira had the entire arena in the palm of her hand. Her hips truly didn’t lie, and neither did the crowd, erupting into a thunderous sing-along. That energy spilled right into Waka Waka (This Time for Africa), which featured a thrilling Champeta breakdown and pulsating rhythms that was the infectious anthem of the 2010 World Cup. Shakira left the stage like a mythic figure—part woman, part legend—having proven once again that she isn’t just a performer. She’s a storyteller, a mother, a rebel, and above all, a she-wolf with a story still very much in motion.

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.