Young The Giant, Milky Chance and TALK team up on tour to take over the 'Summer of 2023'

June 18, 2023

Summer touring season wouldn't be complete without an iconic combo tour and this summer is set to belong to Young The Giant, Milky Chance and TALK who have teamed up to bring an unforgettable night to cities nationwide.

Between all three acts on the road there are countless radio hits spanning multiple decades of alternative music at this point. While this tour officially kicked off a few weeks back it made it's way to the Skyline Stage at the Mann on June 11 on perfect summer night that was lucky one of the first clear night's the city had seen for a few days. The tour had an unlucky break early on due to the smoke from the Canadian wildfires that had drifted into the country and while fans were concerned going into that Sunday it turned out that the day would be clear, full of blue skies and a cool 70 degrees.

The newcomer of the group TALK kicked the night off with a chaotic, poetic and energetic set that was full of new music that had yet to be released. While many know the TikTok brake out artist from his hit debut single "Run Away to Mars" it became clear that the crowd did their homework as many fans in the crowd were singing along to his other recent singles as well. TALK commanded the stage and while many of his songs dealt with heavy subject matter he kept it light at the same time and did his best to enjoy his time in front of the audience. By the time his set entered the final few songs the crowd had really filled in as many fans made their way into the venue to catch the rising star sing his biggest hit (so far) before he closed out the set with a wild cover performance of "School of Rock."


Fresh off the release of their new album, "Living in a Haze" - Milky Chance hit the stage just as the sun began setting across Philadelphia that casted them in a wild golden hour as the band kicked the dance party portion of the evening off. From the first song to the last of their set Milky Chance reminded their long time fans why they are known as one of the most genre defining bands within alternative as things got a little bit disco and all sorts of funk during their set. Across their 13 songs set the German band gave the crowd a shot of adrenaline as they worked the crowd and were treated to numerous dance pits - as well as some sing-a-long sessions through out the night.


Over a decade into their career at this point the band's set was padded with hits through out and lead singer Clemens Rehbein fed off the crowd's energy each time he kicked the band into a new song. Milky Chance were technically excellent on stage from the opening notes of 'Synchronize' to the bellowing highs of 'Colorado' and back again to the new single 'Living in a Haze.' The vibe during their set was a summer fever dream and as the band began to wrap up their set it became clear just how special of a tour fans were seeing as cell phones went back into pockets and much of the crowd began truly living in the moment with Milky Chance before the set came to an end.


By the time night fell across the city of Philadelphia the Mann Center had already witnessed two of the best sets it may host all summer with another yet to come as the stage was transformed in the spirit of "American Bollywood" for the arrival of Young The Giant. The band emerged on stage amidst a dramatic purple wash that hid them from few until late in title track that kicked the night off but the mysterious antics soon faded. In a shock to all Young The Giant kickstarted their set with a rapid fire succession of hits that barely left the packed crowd a chance to catch their breath as they ran through "Wake Up," "Something to Believe In" and "Cough Syrup" back to back.


From there the night remained partitioned into acts with each mini-set being a rapid, but epic filled sample from the band's iconic career. Young The Giant have truly never been given the praise and hype they deserve in the past but this tour seemingly righted many of the past wrongs as the Skyline Stage at the Mann was more full than we have seen in it in quite sometime. With the sheer volume of tours out this summer it would have been easy for fans to miss this one but it was clear from the early arrival to the density of the crowd to the very end of the set that Young The Giant, Milky Chance and TALK was the highlight of many folks' concert calendars this summer. We won't see another summer tour like this in 2023 and we might not even see something this stacked in 2024 - if you missed this tour you did yourself a disservice because while summer might end the memories of the crowd in Philadelphia from this show will certainly last a lifetime.

Article Written By:

Matt Christine

Jack's Mannequin return to Philadelphia for another SOLD OUT show

By Matt Christine • June 13, 2025
On June 8, Jack’s Mannequin swept into the Fillmore Philadelphia for the hometown stop of their Made For Each Other 20th-anniversary tour, turning the storied ballroom into a reunion between new Andrew McMahon fans from his solo era and the fans who grew up with his songs in Jack's Mannequin. A burst of lights and the band made their way to their places on set as the massive LED screens behind them flicked to life with the roar of the crowd—almost before the crowd could catch its breath—the band dove head-first into “Bruised,” instantly launching a full-room sing-along for the first time of the night. The family style sing-alongs would continue all night long because a Jack's Mannequin show is more than just a concert, it's a gathering of fans of all walks of life. Rather than lean solely on radio favorites, McMahon built a career-spanning arc that kept veterans and newcomers guessing. Early standouts “The Mixed Tape” and “Amy, I” landed with arena-sized fervor, while deeper cuts like “Spinning,” “Television,” and the introspective “Cell Phone” offered welcome detours for die-hard listeners. Mid-show, the tempo dropped for a surprise, lights-down, almost-whispered rendition of “Hammers and Strings (A Lullaby)”—performed nearly a cappella, save for a few plaintive piano chords. It was McMahon’s first time revisiting the lullaby in years, and the silence that followed its last note spoke louder than any applause. The final stretch was a one-two-three knockout: “I’m Ready,” “The Resolution,” and the soaring “Dark Blue,” each chorus louder than the last. After a brief exit, the band returned beneath a single spotlight for the encore. McMahon tipped his cap to the tour’s namesake, easing into the gentle “Restless Dream” before the full ensemble erupted into the sprawling suite “MFEO: Pt. 1 — Made For Each Other / Pt. 2 — You Can Breathe,” turning the title track into a communal vow to keep moving forward together. Twenty years on, Andrew McMahon and company showed how to honor a past without getting trapped in it: by laughing at the room you’re in, risking a fragile ballad in the middle of the party, and playing every song like it still belongs to today.

Shakira brings the 'Las Mujeres Ya No Lloran World Tour' to Atlanta

By Matt Christine • June 4, 2025
After a rocky start to her U.S. leg, with technical issues forcing the postponement of both the Washington, D.C. and Boston dates, Shakira delivered an electrifying, glitch-free performance in Atlanta that more than made up for the delays. The sold-out show at State Farm Arena proved why the Colombian superstar remains a force in global pop music: it was a spectacle of raw emotion, razor-sharp choreography, and dazzling stagecraft. Every moment felt polished and purposeful, yet deeply personal, a balance only a veteran performer like Shakira can pull off. The night opened with La Fuerte, a powerful declaration of intent that set the tone: this tour is about resilience, evolution, and feminine power. With minimal delay, she launched into a fierce rendition of GIRL LIKE ME, originally with the Black Eyed Peas, injecting it with her signature moves and vocal style. The audience, many of whom were adorned with glittering wolf ears and flashing LED bracelets, responded instantly, roaring as she transitioned into a nostalgic medley of Las de la intuición and Estoy aquí. It was a clever juxtaposition—early-career Shakira meeting her modern self, both artists occupying the stage in harmony. One of the most emotionally potent sequences came with Empire blending into Inevitable, where her vocals took on an operatic, almost volcanic intensity. The screen behind her exploded with elemental visuals—lava flows, crashing waves—mirroring the emotional crescendo on stage. This wasn’t just a concert; it was a catharsis. Later, Acróstico offered a softer moment, featuring a touching video of her children Sasha and Milan singing along, which visibly moved many in the crowd. You could hear a pin drop as Shakira sat on a stool, wiping away tears mid-performance. In terms of showmanship, the middle of the setlist was where Shakira proved her mettle. Copa Vacía, La Bicicleta, and La Tortura formed a seamless trinity of reggaeton and cumbia-infused pop, each song melting into the next with smooth transitions and high-energy dance breaks. She momentarily disappeared backstage during Chantaje, only to reemerge in a vibrant new costume and launch into a salsa version of the hit that transformed the entire arena into a nightclub. By the time she reached Whenever, Wherever, complete with a dramatic belly dance introduction using knives, Shakira had the entire arena in the palm of her hand. Her hips truly didn’t lie, and neither did the crowd, erupting into a thunderous sing-along. That energy spilled right into Waka Waka (This Time for Africa), which featured a thrilling Champeta breakdown and pulsating rhythms that was the infectious anthem of the 2010 World Cup. Shakira left the stage like a mythic figure—part woman, part legend—having proven once again that she isn’t just a performer. She’s a storyteller, a mother, a rebel, and above all, a she-wolf with a story still very much in motion.

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.